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 " When Woman 1 was fired, I reflected on its curves. ​There were parts I found great joy in, and others I wanted to tweak. I began dreaming of a new piece, one  where I could preserve what I loved and amend the 'flaws'. ​

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 This physical contemplation led to Woman 2, and continuing this process has brought me to today, five years later, having recently completed Woman 337.​​ "